The Australian Journal of Music Therapy (AJMT)

Volume 10, 1999

Hadley, S A Comparative analysis of the philosophical premises underlying Creative Music Therapy and Analytical Music Therapy.
This article describes Creative Music Therapy and Analytical Music Therapy and examines the philosophical premises underlying each model of improvisational music therapy. Comparisons are made in terms of what constitutes health or wellness and pathology (intrapersonal, interpersonal, and transpersonal) and dynamics of therapy (focus, role of music, client-therapist relationship and client-music relationship). This comparative analysis proposes that these two models of improvisational music therapy represent distinctly different paradigms. It is argued that each model works with different premises about the individual and the goal of therapy. Furthermore, each places a different emphasis on the role of music in therapy.
McClelland, R An exploration of resistance in improvisational music therapy. 20-29
The concept of resistance as conceptualised within the music therapy profession is explored, highlighting the various ways in which resistance is perceived and rationalised. Insights are offered into the various definitions of the term. The difference and similarities between resistance and other phenomena, and the diversity in how the term is applied in relation to clients who have various types of cognitive abilities. Clinical examples, primarily illustrating resistance as it appears in terms of improvisational forms of music therapy, are presented.